Das weltweite Magazin und der Marktplatz für Oldtimer-Enthusiasten – von Enthusiasten.
Das weltweite Magazin und der Marktplatz für Oldtimer-Enthusiasten – von Enthusiasten.
In the context of legendary characters in unexpected vehicles, we thought we’d present you with another unusual shot. Recently, we’ve seen the Chief and the Pope, the cowboy in the 22-seater limousine, the American President in the ‘Steam Snorter’ and now we have the Geishas in the Colibri.
Colibri? Hang on, what was that again? We’ll spare you the trouble of looking it up. It was a car made in around 1910 by NAW (Norddeutsche Automobilwerke) of Hameln an der Weser in Germany, a town best-known for one of the Grimm Brothers’ more gruesome tales. Anyhow, as far as we know the Colibri used a 950cc twin-cylinder engine of the manufacturer’s own design, although that looks to be pretty small for this car, which doesn't seem to be quite so mini in size. Perhaps the four-cylinder 6/18hp-variant after all?
The picture source is believed to be a postcard, and mentions that it shows ‘Two Hangyoku (young Geishas) sitting in an early Automobile’. We guess the photograph was actually taken in Japan, which raises the question — how did a Colibri end up in Japan? We did find the following though: “Cars were slow to conquer Japan because Japanese roads were not ready for large-wheeled traffic. In 1911, even in Tokyo there were only about 100 cars, although the city at that time counted over 2 million inhabitants.”
Words Jeroen Booij. Picture Pinterest.
As to how it got there, Germany was recorded as the third largest exporter of cars and car parts to Japan during 1911-12, valued equal to £10,700 (of which £7300 was cars); the USA £64,100 (£40,900 cars) and Britain £27,600 (£17,200 cars). The Colibri design was well suited to Japanese conditions according to comments made in January 1910, when Mr. M. Spencer Smith of the Rising Sun Petroleum Company of Yokahama was photographed with his De Dion loaded with a dozen Geishas in Northern Japan: “The importation of cars is rapidly increasing in Japan; the types suitable are of medium power and short wheel-base, the unsatisfactory state of the roads and the denseness of the population rendering high powered engines practically useless.”
A Japanese automobile press was active by 1912 when a photograph of two more Geishas driving a large limousine appeared in European papers. Geishas in cars must have been tempting symbols of a modernising Japan.