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Autos im Astor: Die Autoshow für die amerikanische Elite

Es gibt Luxus, und es gibt Luxus aus dem frühen 20. Jahrhundert—stellen Sie sich vor, Sie nippen an Champagner, während Sie mit dem Orient-Express dahinfahren, oder schlafen auf seidigen Bettlaken an Bord der Titanic. Düsenflugzeuge, die Kontinente überqueren, waren noch nicht erfunden, aber Luxushotels waren äußerst beliebt, und was die White Star Line für den Atlantischen Ozean war, war das Hotel Astor für die Stadt New York.

 

Das elfstöckige Hotel, das 1905 an der Broadway in Manhattan gebaut wurde, hatte einen Dachgarten, der wie ein Miniatur-Central Park war, und im Inneren gab es aufwendig gestaltete Ballräume und Restaurants, darunter der American Indian Grill Room, dekoriert mit Artefakten, die mit Hilfe des American Museum of Natural History gesammelt wurden. Das Hotel benutzte den folgenden Slogan, um Gäste anzulocken: "Wer im Astor übernachtet hat, hat in New York gelebt."

 

Alles, was man brauchte, um dieses Leben zu führen, war ein gut gefülltes Portemonnaie, denn es war nur für die Reichen und Berühmten der damaligen Zeit. Es scheint also nur logisch, dass die Besucher des Astor wahrscheinlich die Traumkunden für jeden Hersteller von Luxusgütern waren, nicht zuletzt für Luxusautos. Ja, jemand hatte die Idee, eine Autoshow im Hotel Astor zu veranstalten, und so wie wir es herausfinden konnten, fand die erste dieser Messen 1917 statt. Das erste Bild, das hier gezeigt wird, stammt vermutlich aus diesem Jahr, die anderen beiden sind auf 1918 datiert. Diese Autos auf die erste Etage zu bekommen, war sicherlich knifflig, aber was für ein Anblick! Was sehen wir? Fühlen Sie sich frei, Ihre Entdeckungen in den Kommentaren unten zu teilen.

Wir wissen nicht, wie viele Autoschauen im Astor stattfanden, aber wir denken, dass die letzte 1939 war, als die Kronleuchter teilweise aus dem Blickfeld verschwanden und die prunkvollen Decken hinter geraden Wandverkleidungen und Paneelen verborgen wurden. Das Hotel Astor wurde 1967 abgerissen und durch eine imposante Glas- und Stahlkonstruktion ersetzt.

 

Worte: Jeroen Booij
Foto: Bibliothek von Philadelphia

Publiziert:
Dienstag Januar 7th, 2025
Geoff Newland
13 Januar 2025, 11:41
I think the two cars in the bottom right of the photo are Rolls-Royce Silver Ghosts. Both are right-hand drive and appear to have the Spirit of Ecstasy mascots, but the photos are not clear enough to be certain.
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Terry Spilsbury
17 Januar 2025, 17:05
In both 1917 and 1918 photos, four Rolls-Royce Silver Ghosts are discernible closely assembled to the near right. Same spot, same space allocation, it seems. All are, of course, British-built, pre-dating the American Springfield works. They're most likely by British coachbuilders and pre-Great War production, offered for re-sale to the American market, as new car production had not yet been resumed in Derby, England.
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David Grimstead
12 Januar 2025, 19:14
These 1917-18 photos come from the New York Automobile Salon show, originally the Importers' Salon, organised by the American Importers Alliance (A.I.A.).

The A.I.A. hosted exhibitions at the Hotel Astor from 1911 but held their first as the Annual Automobile Importers' Salon at Herald Square Hall in 1905 when twenty-two makes of imported car, engines, components, tyres and accessories were shown. It moved to Madison Square Gardens for 1908 when a “$1 entry day” was introduced to give New York’s richer patrons some exclusivity.

The first A.I.A. Hotel Astor show was held on January 2-11th, 1911, when seventy-five cars of twenty makes from six countries were exhibited. It was dedicated to promoting the best European coachwork designs imported immediately after the Paris and London shows but two American coachbuilders were also invited to exhibit. These early Astor salons were described as drawing-room exhibitions, not in any sense an industrial show and more a social function than a trade show. They became an exclusive opportunity for the well-heeled of New York to see and buy the most expensively bodied car chassis in the world.

Progressively, up to the start of World War One, this annual show, which ran at the same time as the main New York fall/winter Motor Shows at the Gand Central Palace and Madison Square Garden, incorporated more luxurious American chassis, coachwork and accessories. Some years, distinctly non-luxury and sporting models, like Bugatti, featured but bespoke, novel and upmarket coachwork became its core attraction.

For the 1917 Astor Salon pictured here, its first year run by the Automobile Salon Inc. for the A.I.A., the headline ran: “Importers Salon becomes American.” Hence, there were nearly one hundred cars from fifteen makers with Americans Brewster, Daniels, Locomobile, Murray, Navarra, Phianna, Simplex, Singer, S-S-E. and White, with only Isotta-Fraschini, Lancia and Rolls-Royce from war-torn Europe. There were five American coachbuilders, Holbrook, Locke, Fleetwood, Healey and Rubay, and ten accessory houses. The increase in American cars and up-market accessories required the first use of the gallery boxes above the ballroom.

In January, 1918, eleven American car-makers (Biddle, Brewster-Knight, Cunningham, Daniels, Fageol, Fergus, Locomobile, Mercury, Murray, Simplex and White), two Europeans (Lancia and Rolls-Royce), two American coach-builders and seven accessory suppliers were displayed by their agents. Bodies by at least Brewster, Rubay, Healey and Brooks-Ostruk were on various chassis. Three $14,000 Rolls-Royce, five $10,000 Simplexes, eight large Locomobiles and many others found buyers, prompting this observation: “Therefore, the Salon at the Astor fully bore out the conclusion expressed by those who visited it soon after it opened. There is a market for the high-priced car; those who have such machines to sell are going after that market, and they are finding it. When in the course of a week $50,000 worth of one make of car and $42,600 of another can be sold, and uncounted thousands of dollars paid for still others, New York and the East must still have much money to spend for automobiles, conclude the Salon visitors.”

With post-war American industry in the ascendant and Europe’s only in recovery, A.I.A. involvement diminished but renamed the Annual Automobile Salon, the show continued at four regional locations per year. For November, 1919’s, show, the New York Automobile Salon was held at the Hotel Commodore, there until 1929 when for the first time at the National Automobile show a section on the third floor of the Grand Central Palace was set aside for imported cars.
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Bob
12 Januar 2025, 17:24
The hotel had quite a beautiful interior and it's a testament to the builders that the balcony could hold all that weight. I would like to know how they got those big cars up there. There's not a lot of room to manoeuvre them.
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Daniel Reuben
07 Januar 2025, 12:14
The third interior shot shows a group of White vehicles on the ground floor. A Locomobile town car is in the front left foreground.
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